Jean Rouch
5/31/1917
Biography
From Wikipedia, the free encyclopedia Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Jean Rouch
Appeared In:
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Samba the Great
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The Doll
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Son of Gascogne
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Ispahan: A Persian Letter (The Chah Mosque at Ispahan)
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Encountering Jean Rouch
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Cinéma! Cinéma! The French New Wave
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A Friendly Handshake
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The Dreamed Films
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Les Fils de l'eau
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World Without a Game
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La Nouvelle Vague par elle-même
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Rouch's Gang
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Mon père c'est un lion - Jean Rouch pour mémoire
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Jean Epstein, Young Oceans of Cinema
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Rouch in Reverse
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Nouvelle Vague : El cine sin dogmas
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Maya Deren, Take Zero
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Ciguri – Tarahumaras 98 - La Danse Du Peyotl
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The Mad Masters
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Ciné-mafia
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Germaine chez elle
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Jean Rouch: First Film 1947-1991
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Chronicle of a Summer
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Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
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My Conversations on Film
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Ciné-Portrait of Raymond Depardon
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Cinématon
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Civilisation: L'homme et les images
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Pierre Fatumbi Verger: Messenger Between Two Worlds
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The Lovely Month of May
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An Egg with No Shell
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Jean Rouch, des mensonges plus vrais que la réalité
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Sodankylä Forever
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Letter to Jean Rouch