Zózimo Bulbul
9/21/1937
Biography
A Brazilian filmmaker, actor, producer and screenwriter, Jorge da Silva, better known by his stage name Zózimo Bulbul, is regarded as a household name of black Brazilian cinema. He was also the founder of Rio de Janeiro's Black Cinema Center ("Centro Afro Carioca de Cinema"). As an actor, he worked in over 30 features, and was directed by filmmakers such as Glauber Rocha (in "Terra em Transe"), Carlos Diegues ("Quilombo") and Antunes Filho ("Compasso de Espera"), becoming the first black man to play a main character in a Brazilian TV soap opera, in 1969's "Vidas em Conflito". His debut as a filmmaker was 1974's black and white short "Alma no Olho". With his work focusing in raising awareness to Brazilian black culture, Bulbul remained an active filmmaker until his death in 2013. His most well known film, as a director, is 1988's "Abolição", a lengthy documentary that gives critical thoughts on Brazil's 1888's ending of slavery and in what changed for the country's Black people over the course of a century.
Zózimo Bulbul
Appeared In:
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Abdias Nascimento
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The Girl and the Rapist
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Giselle
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República Tiradentes
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Ganga Zumba
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Samba no Trem
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Veja & Ouça - Maria Baderna no Brasil
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In Evil Hour
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The Suns of Easter Island
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Artesanato do Samba
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Banda de Ipanema — Folia de Albino
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Our Lady Of Compassion
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Parceiros da Aventura
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Compasso de Espera
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Daughters of the Wind
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Soul in the Eye
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Cinco Vezes Favela
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Grande Sertão
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O Engano
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The Naked Man
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Proezas de Satanás na Vila de Leva-e-Traz
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El Justicero
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Sagarana: O Duelo
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Garden of War
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Entranced Earth
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5x Favela, Now by Ourselves
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A Guerra dos Pelados
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The Palace of Angels
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Natal da Portela
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The Forest
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Quilombo
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Improvised and Purposeful: Cinema Novo
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Memória Viva
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Queima de Arquivo
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The Godless Bandit
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Pedreira de São Diogo
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The Girl from Ipanema
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Black Goddess
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Hung Up
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True Brazil
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Oswaldo Cruz, o Médico do Brasil
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Pureza Proibida
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República da Traição
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Renascimento Africano
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Exu Rei - Abdias do Nascimento
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Paper and Sea
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O homem que sabia javanês
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Ana, a Libertina
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Brutos Inocentes
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Referências